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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Tue, 14 Feb 2012 22:50:19 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://www.billburnettsongmine.com/kate-mcgarrigle-work-song/"><rss:title>Kate McGarrigle Work Song</rss:title><rss:link>http://www.billburnettsongmine.com/kate-mcgarrigle-work-song/</rss:link><rss:description></rss:description><dc:language>en-US</dc:language><dc:date>2012-02-14T22:50:19Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://www.billburnettsongmine.com/kate-mcgarrigle-work-song/2009/3/24/kate-mcgarrigle-the-work-song.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://www.billburnettsongmine.com/kate-mcgarrigle-work-song/2009/3/24/kate-mcgarrigle-the-work-song.html"><rss:title>Kate McGarrigle: The Work Song</rss:title><rss:link>http://www.billburnettsongmine.com/kate-mcgarrigle-work-song/2009/3/24/kate-mcgarrigle-the-work-song.html</rss:link><dc:creator>Bill Burnett</dc:creator><dc:date>2009-03-25T03:20:37Z</dc:date><dc:subject>Anna McGarrigle Dolly Parton Judy Collins Kate McGarrigle Maria Muldaur Wendy Waldman</dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.billburnettsongmine.com/storage/Kate%20%20Anna%20Railroad?__SQUARESPACE_CACHEVERSION=1237951540503" alt="" /></span></span>You can't really separate the <a href="http://www.myspace.com/kateandannamcgarrigle">McGarrigles</a> (Kate and Anna) from each other. I'm as big a fan of Anna as I am of Kate.&nbsp;But this being Wimyn's Week at the SongMine, I had to feature&nbsp;<em>one</em> woman singer-songwriter whose work consistently bubbles up in my mind as being extra challenging, extra honest, extra tuneful, extra crafty and deserving of being placed in the list of greats that has gone before on this site. &nbsp;And Kate McGarrigle kept bubbling up. &nbsp;(She's the one on the left in the pic).</p>
<p>And this&nbsp;was the&nbsp;song that kept bubbling--The Work Song. &nbsp;Try as I might I couldn't find a version sung by Kate or the McGarrigles. (if anyone has one and wants to send me an mp3 I'll be glad to upload it.).So here's Maria Muldaur performing it on her wonderful eponymous 1973 album--the one that introduced a lot of folks to songs by Dolly Parton, Wendy Waldman, Dan Hicks, David Nichtern and many other great writers. (Remember when performers like Judy Collins and Tom Rush did that? We need more of that today.) Enjoy, and then we'll talk some more...</p>
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<p>&copy; Kate McGarrigle</p>
<p><em>Back before the blues were blue&nbsp;<br />When the good ol' songs were new&nbsp;<br />Songs that may no longer please us&nbsp;<br />'Bout the darkies, about Jesus&nbsp;<br />Mississippi minstrels color of molasses&nbsp;<br />Strummed their banjos to entertain their massas&nbsp;<br />Some said garbage, others cried art&nbsp;<br />You couldn't call it soul, you had to call it heart&nbsp;<br /><br />Backs broke bending digging holes to plant the seeds&nbsp;<br />The owners ate the cane and the workers ate the weeds&nbsp;<br />Put the wood in the stove, the water in the cup&nbsp;<br />You worked so hard that you died standing up&nbsp;<br /><br />When I was a little thing&nbsp;<br />Papa tried to make me sing&nbsp;<br />Home Sweet Home and Aura Lee&nbsp;<br />These were songs that my daddy tought me&nbsp;<br />Camptown Races and Susannah Don't You Cry&nbsp;<br />Gentle Annie still brings a tear to my eye&nbsp;<br />Label it garbage, label it art&nbsp;<br />You couldn't call it soul, you had to call it heart&nbsp;<br /><br />Backs broke bending digging holes to plant the seeds&nbsp;<br />The owners ate the cane and the workers ate the weeds&nbsp;<br />Put the wood in the stove, the water in the cup&nbsp;<br />You worked so hard that you died standing up&nbsp;<br /><br />Sing me songs of days gone by&nbsp;<br />Make me laugh, make me cry&nbsp;<br />Break my female heart in two&nbsp;<br />Sing me songs that say "I love you"&nbsp;<br />Lower your eyes, raise your hand to your breast&nbsp;<br />Sing me one about the sun setting in the west&nbsp;<br /><br />Backs broke bending digging holes to plant the seeds&nbsp;<br />The owners ate the cane and the workers ate the weeds&nbsp;<br />Put the wood in the stove, the water in the cup&nbsp;<br />You worked so hard that you died standing up&nbsp;<br /><br /><br /></em></p>
<p>B<em>ack before the blues were blue... </em>What a wonderful opening line!&nbsp;This song speaks to so many of the themes of the SongMine that I had to include it. The importance of songs themselves, first of all. (See "Songs Are", posted in the SongMine's first week, for my own credo on the subject.) The honesty about our ugly racist heritage, which has been a theme in the work of many of the writers covered here so far. <em>Songs that may no longer please us, bout the darkies about Jesus.</em>&nbsp;&nbsp;It speaks to the injustice of the gap between rich and poor.<em>The owners ate the cane and the workers ate the weeds.</em>&nbsp;Isn't that the same entitlement the bankers on Wall Street are living by now?&nbsp;&nbsp;And of course, it talks about hard work. &nbsp;It's a different type of work from working in the SongMine. &nbsp;This is the type of work that wears you down and kills you. <em>You worked so hard that you died standing up. &nbsp;</em>But <span style="text-decoration: underline;">hard work</span> being the secret to song mastery comes up again and again in the interviews with the writers.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img style="width: 200px;" src="http://www.billburnettsongmine.com/storage/KA_tn.jpg?__SQUARESPACE_CACHEVERSION=1238087422303" alt="" /></span></span><strong>"Kiss and Say Goodbye"</strong> is from the McGarrigles first album and it's a cheeky look at a certain cavalier attitude toward adult casual sex. Kate is looking forward to a big one-day romp with a lover who apparently has other entanglements. &nbsp;So she knows full well this is not a forever type of love. &nbsp;But she's revelling in it. &nbsp;I can't think of another song that expresses these sentiments. &nbsp;Plus, it's so darn catchy!...</p>
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<p>&copy; Kate McGarrigle</p>
<p><em>Call me when you're coming to town&nbsp;<br />Just as soon as your plane puts down&nbsp;<br />Call me on the telephone&nbsp;<br />But only if you're travelling alone&nbsp;<br />Counting down the hours&nbsp;<br />Through the sunshine and the showers&nbsp;<br />Today's the day&nbsp;<br />You're finally going to come my way&nbsp;<br /><br />Let's make a date to see a movie&nbsp;<br />Some foreign film from gay Paris&nbsp;<br />I know you like to think you've got taste&nbsp;<br />So I'll let you choose the time and place&nbsp;<br />Have some dinner for two&nbsp;<br />In some eastside rendezvous&nbsp;<br />Then we'll walk&nbsp;<br />Arm in arm around the block and talk&nbsp;<br /><br />Tonight you're mine&nbsp;<br />Let's not waste time&nbsp;<br /><br />I do believe the die is cast&nbsp;<br />Let's try and make the night-time last&nbsp;<br />And I don't know where it's coming from&nbsp;<br />But I want to kiss you till my mouth get numb&nbsp;<br />I want to make love to you&nbsp;<br />Till the day comes breaking through&nbsp;<br />And when the sun is high in the sky&nbsp;<br />We'll kiss and say goodbye<br /></em></p>
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